A perfect representation of the reality that surrounds us has always been Milan Hrnjazović’s fascination.
However, is the reality that he is trying to represent perfect?
In the visions he presents, decadent landscapes merge with interiors in coloristic distortions that belong
to the fantastic Baroque visualizations of the world beyond and psychedelic transfigurations.
In his works almost methodical motives persist: Woman, love couple, nature. Somewhere halfway between Gerhard Richter and John Currin, Hrnjazović’s works, attract us by their
highly aesthetic expression.